ARCHIVE FEVER

Özgür Kar, Adriana Lara and Dena Yago

Curated by Elisa R. Linn & Lennart Wolff

November 10 – December 20, 2018

Opening: November 9, 6-8pm

Unit 4 Huntingdon Estate, Bethnal Green Rd, London E1 6JU

Installation View, Archive Fever, Nov 2018
Özgür Kar, Monologue 6, 2018, 4K video with sound, 9 min; Adriana Lara, Carbon Copy 4x6, 2017, Oil on carbon paper, each 121.92 x 182.88 cm
Özgür Kar, Monologue 6, 2018, 4K video with sound, 9 min; Adriana Lara, Carbon Copy 4x6, 2017, Oil on carbon paper, each 121.92 x 182.88 cm
Dena Yago, Live, Laugh, Love, Fuck, Marry, Kill, 2018, oil, stick, muslin, acrylic, dimensions variable
Adriana Lara, Interesting Theory #54 (Marketing Diet Coke), 2018, acrylic on canvas, fridge, 150 x 85.5 x 50 cm
Adriana Lara, Interesting Theory #54 (Marketing Diet Coke), 2018, acrylic on canvas, fridge, 150 x 85.5 x 50 cm
Özgür Kar, Monologue 6, 2018, 4K video with sound, 9 min
Özgür Kar, Monologue 5, 2018, 4K video with sound, 9 min
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Emalin is pleased to announce Archive Fever, a group exhibition with Özgür Kar, Adriana Lara and Dena Yago, curated by Elisa R. Linn & Lennart Wolff. 

 

Özgür Kar (b. 1992, TR) lives and works in Amsterdam, NL. He is a graduate of The Sandberg Instituut and, as of January 2019, a resident at Amsterdam’s Rijksakademie van Beeldende kunsten. Recent exhibitions and screenings include Finally you are in me, Taylor Macklin (Zurich, CH, 2017); Cruising Pavilion, 16th Venice Architecture Biennale (Venice, IT, 2018); Full Spectrum Dominance, Decad (Berlin, DE, 2017); Mene Mene Tekel Parsin, Wysing Arts Centre (Cambridge, UK, 2017); and Ugly Feelings, Stedelijk Museum (Amsterdam, NL, 2017).

 

Adriana Lara (b. 1978, Mexico City, MX) lives and works in Zurich, CH. Recent solo-exhibitions include The Future, Greenspon (New York City, USA, 2017); Eggsplotion, Air de Paris (Paris, FR, 2016), The Interesting Theory Club, Kraupa-Tuskany Zeidler (Berlin, DE, 2016); and The Club of Interesting Memories, Mexican Cultural Institute (Washington DC., US, 2017). Her work has been included in group exhibitions at the Pérez Art Museum (Miami, FL, USA, 2017); SculptureCenter (Queens, NY, USA, 2016); dOCUMENTA13 (Kassel, DE, 2012); Centre Pompidou (Paris, FR, 2015); and Kunsthalle Wien (Vienna, AT, 2016). She is the Editor in Chief of PAZMAKER, Art Annual Publication and runs PERROS NEGROS, Office for Artistic and Editorial Production.

 

Dena Yago (b. 1988, New York, USA) lives and works in New York. Recent solo exhibitions include The Lusting Breed, Bodega (New York, USA, 2017); Heck & The Divested Set, Sandy Brown (Berlin, DE, 2016); and In Escrow, High Art (Paris, FR, 2016). Her work has been included in group exhibitions at Museum of Modern Art Warsaw (Warsaw, PL, 2017); Hammer Museum (Los Angeles, CA, USA, 2016), Studio for Propositional Cinema (Düsseldorf, DE, 2014); JTT (New York, NY, USA, 2014); and Kunsthalle Bern (Bern, CH, 2014).

 

Elisa R. Linn is a curator and writer based in Berlin and New York, and a recent graduate of the Whitney Independent Study Curatorial Program. Linn is a regular contributor to Frieze, Kaleidoscope and Artforum. Lennart Wolff is an architect and curator based in Berlin. He is a graduate of the Architectural Association, London and co-founder of the AA Visiting School Zurich. Together, Linn and Wolff founded and run the curatorial project km temporaer. Recent projects include performances, screenings and exhibitions at institutions at The British School at Rome (Rome, IT, 2018); Bronx Museum (New York, USA, 2018); The Kitchen (New York, USA 2018); Whitney Museum of American Art (New York, USA, 2018); South London Gallery (London, UK,2018); and the German Center for Architecture (Berlin, DE, 2018). Upcoming projects include a screening at National Gallery Prague (Prague, CZ, 2018) and exhibitions at Galerie Francesca Pia (Zurich, CH, 2019) and Museo Nivola (Orani, IT, 2019).
INSTALLATION VIEWS